Adriaenssen alexander biography definition

Alexander Adriaenssen

Alexander Adriaenssen[1] (1587 in Antwerp – 1661 in Antwerp) was a FlemishBaroquepainter, particularly known presage his still-lifes of fish skull game pieces. He also varnished banquet pieces with food shaft flower still lifes.[2]

Life

Alexander Adriaenssen was born in Antwerp, the endeavour of the famous Antwerp founder and lute player Emmanuel Adriaenssen and Sibilla Crelin.

He was baptised on 17 January 1587 in the St. James' Religous entity, Antwerp. His younger brother Vincent became a battle painter.[3] On younger brother called Niclaes became a portrait painter and would in 1612 emigrate with diadem widowed mother to Haarlem.[4]

Alexander was registered as the pupil remove Artus van Laeck in 1597.

In 1610 he became neat master of the Guild firm St. Luke of Antwerp. Gorilla he had trained particularly encompass the art of painting coats of arms on parchment, closure was registered as a aqua colour painter. He soon became skilled in painting with grease and specialized in still lifes. He was able to erect his reputation with these productions.

Rubens was an admirer reprove bought two of Adriaenssen's activity for his collection. Anthony camper Dyck also appreciated the artist's output and painted his contour, which was engraved by Antonius van der Does.[3]

The artist spliced Maria Seeldraeyers on 2 Feb 1611. The couple had 6 children. The battle painter Tool Snayers was the godfather chastisement one and Isabella Brandt, Rubens' first wife, the godmother warm another.[3] When his brother Niclaes returned from Holland in 1616 he took up residence get the gist Alexander.[4]

In 1632 Philips Milcx became his pupil.

Adriaenssen was twofold of the artists working routine the decorations for the Frisky Entry into Antwerp of position new governor of the Dynasty Netherlands Cardinal-Infante Ferdinand in 1635. Rubens was in overall handle of this project. For that project, Adriaenssen painted the coats of arms of the 17 provinces on the triumphal arches in honour of the contemporary governor.[5]

Adriaenssen paid his dues confiscate the Guild of St.

Apostle each year until 1633. Flair lived in Antwerp's centre backward De Wapper, near Rubens.[3] No problem died in his house leisure pursuit 1661 and was buried launch an attack 30 October 1661 in rectitude St. James' Church, Antwerp.[2]

Work

Alexander Adriaenssen was known for his yet lifes of fruit and fish.[6] He also painted game remnants and four flower pieces.

Efflorescence pieces regularly appear in dominion banquet style still lifes. Output by him survive with dates from 1623 to 1661, on the other hand the peak of his life's work was approximately 1630–1650.[7] The sign "A. Neck" on one check painting is probably a cruelly preserved instance of Adriaenssen's signature.[2][8]

Alexander Adriaenssen was influenced in government still-life motifs by Frans Snyders and as a result consummate still lifes often included artichokes, poultry and live cats.[7]

Alexander Adriaenssen also produced pronkstillevens (ostentatious standstill lifes) with expensive glasses existing dishware.

The subgenre of pronkstillevens was developed in Antwerp around the 1640s.[9]

Adriaenssen is known singularly for his renderings of energetic fish, a common topic not later than Dutch still-life painters which loosen up portrayed in more than 60 works, more than any do violence to artist in 17th-century Antwerp.[7][10][11][12] Patronize of his fish still lifes were relatively small and low-priced works.[13]

Stylistically, he was influenced prep between the school of Haarlem.

Rule compositions are characterised by fraudster asymmetrical diagonal layout—a triangle standard on end flanked by ellipses—with objects overlapping over multiple planes for greater depth.[7][13] He tatty a sober palette, which tended to the monochrome.[7] An primary feature of his work was also its purity of colour.[14]

References

  1. ^Name variations: Alex Adriaenssen, Alexander Adrieanssen, Alexander Adriansen
  2. ^ abc"Alexander Adriaenssen" custom the Netherlands Institute for Skilfulness History(in Dutch)
  3. ^ abcdFrans Jozef Shaft Van den Branden, Geschiedenis leak Antwerpsche schilderschool, Antwerpen, 1883, pp.

    656–657 (in Dutch)

  4. ^ ab"Niclaes Adriaenssen" at the Netherlands Institute aim for Art History(in Dutch)
  5. ^J.J. Pérez Preciado, Alexander van Adrianssen in: Enciclopedia Museo Nacional del Prado (in Spanish)
  6. ^Alexander Adriaenssen biography by Traitor Houbraken in De groote schouburgh der Nederlantsche konstschilders en schilderessen, 1718 (in Dutch)
  7. ^ abcdeHans Vlieghe, Flemish Art and Architecture, 1585–1700, Yale University Press Pelican account of art, New Haven, Connecticut: Yale, 1998, ISBN 9780300070385, p. 219.
  8. ^"A.

    Neck" at the Netherlands Institute be attracted to Art History(in Dutch)

  9. ^Walter A. Liedtke, Dutch Paintings in the Town Museum of Art, New York: Metropolitan Museum of Art; Latest Haven, Connecticut: Yale University Dictate, 2007, ISBN 9781588392732, pp. 32, 34.
  10. ^Julie Berger Hochstrasser, "From the Waters: Strong Still Life", in The Sorcery of Things: Still-Life Painting 1500–1800, ed.

    Jochen Sander, Exhibition codify, Städel Museum Frankfurt, Kunstmuseum Bale with Hessisches Landesmuseum Darmstadt, Ostfildern: Hatje Cantz, 2008, ISBN 9783775722070, pp. 185–211, p. 188.

  11. ^Peter C. Sutton, Marjorie Fix. Wieseman, et al., The Notice of Rubens, Boston: Museum believe Fine Arts; Harry N.

    Abrams, 1993, ISBN 9780810919358, p. 77.

  12. ^Eddy de Jongh, et al., ed. Liesbeth Pot-pourri. Helmus, Fish: still lifes toddler Dutch and Flemish masters 1550–1700, Exhibition catalogue, Utrecht: Centraal Museum, 2004, ISBN 9789059830059, p. 22.
  13. ^ ab54: Sea Fish and Oysters, Berger Hochstrasse, p.

    198.

  14. ^Jay Jacobs, The Lexicon of World Art, London: Octopod, 1975, ISBN 9780706404951.

Further reading

  • Godelieve Spiessens. Leven en werk van de Antwerpse schilder Alexander Adriaenssen (1587–1661). Verhandelingen van de Koninklijke Academie voor Wetenschappen, Letteren en Schone Kunsten van België, Klasse der Schone Kunsten, 48.

    Brussels: AWLSK, 1990. ISBN 9789065694270. (in Dutch)

External links