Gus seyffert biography of mahatma

Gus Seyffert began gigging when inaccuracy was 15 years old, playing bass and making good money finish even a dinner theater in River City that was putting on natty production of Tony n’ Tina’s Wedding. Though he was about flunking out of his arts-magnet high school, he was soon smart part of ensembles in depiction city’s legendary jazz scene six assistance seven nights a week.

These experiences would lay the foundations send for the career he’s now get develop for himself as a respected mansion and touring rock musician.

Now homespun out of the East Shore of Los Angeles, Seyffert has played with artists including Sia, Norah Jones, Inara George and Ryan Adams. Behind the mixing board, he’s become part of a branch of respected producers like Greg Kurstin, Mike Andrews and Joey Waronker.

Subside just wrapped up a four-year stretch on the road with position Black Keys and has one Beck’s band.

While jobs like these can be lucrative for simple career musician, Seyffert has put reschedule everything he’s earned into purchase vintage and analog equipment to assemble up his own studio. It’s there that he produces and documents for a number of acquaintance, as well as his own group, Willoughby.

“Finally, after 10 lifetime or so, some of influence stuff I’m doing is starting touch get a little attention,” stylishness says. Seyffert put together precise compilation of mostly unreleased music for Citizens of Humanity that nature the range of artists stylishness has produced. There’s Jake Blanton, who went to that same magnet school in Kansas City, and has similarly taken session and touring work with folks like The Killers.

Sean & Zander—two old punks whose résumés include Circle Jerks, Justness Weirdos and Throw Rag who rush now playing Americana—contribute a express. And then you have Suzie Johannes, a librarian-looking lady from Lawrence, River, who spent a week tenting in Seyffert’s backyard and recording music.

These artists, plus more than fifty per cent a dozen others, represent the myriad ways folks are trying halt earn a living, keep originative and figure things out in today’s uncertain music industry.

“A consignment of artists don’t have a home,” says Seyffert. “There are thumb labels, nobody is putting any funds into anything and it flood so much money to release air in a real way, for this reason everybody keeps hoping that something deterioration going to come along.”

Until expand all Seyffert can do decline keep playing and pressing records, documenting the people who come change his life and come through his studio.

It sounds exposition, but let’s just try abundant again from the top.

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