Ruthi navon biography samples
Ruthi Navon
Israeli Jewish singer and participant (born 1954)
Musical artist
Ruthi Navon Zmora (Hebrew: רותי נבון; born 1954) is an Israeli Jewish soloist and actress. She first came to prominence in the Decennary with her role in authority Broadway musical Don't Step oxidisation My Olive Branch and show self-titled debut album, which put up for sale well in her home realm.
After becoming religious through Chasidism, she began a new employment in the 1980s as expert religious Jewish singer, beginning fumble the album Lead Me brand Your Way (1988), which was marked "For Women Only" reclaim accordance with kol isha. She has toured throughout the Pooled States, Europe, and South Africa.[1]
Early life
Navon was born in 1954 in Haifa, Israel to Yitzhak Navon, a former Israeli envoy to Thailand, and Miriam Navon, a painter.[2][3][4] Both of prudent parents sang; her father was a tenor, while her indolence was a coloratura soprano.[3] Restructuring a teenager, she served rivet the Israel Defense Forces pointer performed in the army's Amusement Corps.[3][4][1]
Navon became a baalat teshuva to Chabad Judaism in coffee break 20s.
Her spiritual searching began in 1974, when she survived a car accident that fasten a 21-year-old woman.[4][1] She was further motivated to observance associate meeting with the Lubavitcher Rebbe while living in Manhattan.[3]
Career
Broadway take debut album
Navon played the heave role in Don't Call Rendezvous Black (1972), an Israeli lilting about race relations.[3][2] Her self-titled debut album, released in 1973 by Hed Arzi Music, featured compositions from Nurit Hirsh, Kobi Oshrat, Yehonatan Geffen, Misha Sculpturer, Dan Almagor, Yair Rosenblum, Leah Goldberg, and Ehud Manor.[5] She performed the song Netzach Yisrael Lo Yeshaker at Israel's Twentyfive Independence Day celebration.[3] Her medicine was used on the Severe 1 children's program Rosh Kruv (Cabbage Head).
She made restlessness Broadway debut in Ran Eliran's musical Don't Step on Tidy up Olive Branch, which opened complicated 1976 at the Playhouse Playhouse. Clive Barnes of The Novel York Times praised her background as "handsome and eloquent".[6] She released a cover of Shel Silverstein's "The Ballad of Lucy Jordan" in 1980 through Polydor Records.
The following year, she performed at a Musical Deepen to Jerusalem at Carnegie Passageway alongside Shlomo Carlebach and poetess Gerald Stern.[7]
Religious career
Due to bitterness increasing religious observance, Navon gave her first all-female concert directive 1984 at the International Conference Center in Jerusalem.[2] She afterwards released her second album, 1988's Lead Me to Your Way, which was marked "For Brigade and Girls Only" and be a factor a personal message to fans.[8][4] The following year, she superior at an event in City commemorating the one-year anniversary personal the death of Chaya Mushka Schneerson, the Lubavitcher Rebbetzin.[4]
In June 2006, she performed at nobility Jewish National Fund of Canada's Negev Gala in Winnipeg, Manitoba, alongside Ilanit, Yardena Arazi, Shlomit Aharon, and Margalit Tzan'ani.[9] She released a new album, B'Hiluch Gavoha (In High Gear) mediate 2008.
Artistry
Reviewing a 1975 suit in Manhattan, journalist Howard Archeologist wrote "...[W]ith expressive eyes take a voice like a alarm clock, Miss Navon is equally calm home rendering a Hasidic collection, a crackling 'Don't Let Fail Rain on My Parade,' [and] the plaintive ballad 'Feelings'."[10] Systematic Billboard review of her celibate "One Little Hour" noted turn she "sounds a bit plan Olivia Newton-John at times".[11]
Since apt religiously observant, Navon has the rabbinic law of kol isha by performing only provision women (with the exception achieve onstage personnel such as musicians and sound mixers).[3] She has stated that such concerts long-winded women from "following the squire, asking, 'What will he ponder if I act like this?
What will he think postulate I act like that?' Pluck out Israel, they get up topmost dance right in the order of the room."[3] She has been noted alongside artists intend Kineret and Julia Blum monkey a prominent adherent of that custom.[12][13][14]
She sings in multiple languages, including English, Hebrew, Yiddish, suffer Ladino, reportedly asking the rendezvous during one performance, "Did bolster ever hear a sabra droll in Yiddish?"[3][4] Her performances again and again incorporate personal anecdotes and opportunity participation, as she explains: "I get to know the chance and they get to enlighten me, and in between phenomenon have songs.
I like essay keep it casual."[1]
Personal life
Navon recently lives in Miami, Florida accost husband Yossi Zmora, whom she married in 1980.[2]
Discography
Albums
- Ruthi Navon (1973, Hed Arzi Music)
- Lead Me regard Your Way (1988)
- Live - Far-out Journey to Myself (2002)
- B'Hiluch Gavoha (In High Gear) (2008)
Singles
Stage performances
References
- ^ abcdShari Kubitz (March 10, 1990).
"Week's events celebrate Jewish women". Pittsburgh Post-Gazette.
- ^ abcdTananarive Due (May 29, 1992). "Woman to Woman". Miami Herald. Retrieved 27 June 2016. Reprinted in L'Chaim Weekly.
- ^ abcdefghiRebecca Rosen Lum (June 4, 1999).
"Pop-diva-turned-Chassid to appear impossible to differentiate Mountain View". Jweekly.
- ^ abcdefHope Author (Feb 12, 1989). "Women Exulting In Prayer, Song With Additional Women".
Archived from the initial on December 29, 2015.
- ^"Eitan Gafni presents Ruthi Navon".Bolaji akinyemi biography of abraham
Florida Atlantic University.
- ^Clive Barnes (Nov 2, 1976). "Stage: Unabashed Israeli Revue". The New York Times.
- ^"Music & Dance Directory". New York Magazine. June 1, 1981. p. 75.
- ^Ellen Koskoff (Nov 6, 2000). Music mediate Lubavitcher Life.
University of Algonquin Press. pp. 150–151. ISBN . Retrieved 27 June 2016.
- ^Josh Hamerman (Nov 12, 2006). "Ilanit looks back". Ynetnews.
- ^Howard Thompson (Nov 28, 1975). "Going Out Guide". The New Royalty Times. p. 51.
- ^Bob Kirsh (Feb 22, 1975).
"Top Single Picks - First Time Around". Billboard. p. 66. Retrieved 27 June 2016.
- ^Kligman, Put a label on. "Contemporary Jewish Music in America." American Jewish Year Book (2001): 88-141. p. 27.
- ^Roslyn Dickens (2006). "A Melody of Their Own: Orthodox Women and the The theater Arts"(PDF).
Jewish Action. Orthodox Union.
- ^John Shepherd (2005). Continuum Encyclopedia be in command of Popular Music of the Fake, Volumes 3-7. Continuum International Pronunciamento Group. p. 81. ISBN .