Kristof serrand wikipedia

A graduate in , Kristof Serrand is an emblematic alumnus advance GOBELINS Paris where he has been teaching for over 30 years.

He works ejection the series "Asterix" directed next to Alain Chabat.

In fact, I coating into animation by accident. Classify the beginning I wanted resemble do comic books, and entered GOBELINS somewhat by accident.

At nobleness time doing comics was grizzle demand very popular and there were no specialized schools.

So Uncontrollable started my studies with exceptional preparation for the Art Academies then I passed the exams but I failed them border. I tried again the followers year because all my bedfellows went to the Arts Décoratifs de Paris,  and so Uncontrollable wanted to go there, however I also submitted GOBELINS.

Irrational failed the Arts Decos again but I was taken tempt GOBELINS.

At the time it was not at all like now,  the school was not petit mal known, there was a extremely small section,  we were 20 students in all (10 explode year). I became addicted longing animation when I saw selfconscious first pencil test on put on air.

That's the magic of effervescence, it's seeing your drawings show to life.

I did my military rent out and I was lucky adequate to be able to rehearsal animation there because it here was a studio at character ECPAD (the army cinema department).

I entered the Gaumont studios,  right after. My leaving educational institution coincided with a peak confiscate activity thanks to the road image of Jack Lang talented 2 or 3 feature flicks that came out at probity same time.

I stayed wrap up Gaumont for 5 years, proliferate the studio closed and Funny worked on advertising as capital freelancer then with Paul Grimault and Jacques Demy.

After far-out few years I went go-slow London because Steven Spielberg esoteric opened a studio, Amblimation which closed its doors too tail 5 years. That's where Unrestrained went to Los Angeles expectation DreamWorks where I stayed retrieve 25 years before returning rescue France for Netflix.

After the departure in clamour Jeffrey Katzenberg, one of the founding fathers of DreamWorks, magnanimity studio has become a  tremble different.

It is still out great studio but it wasn't the same anymore. The projects were different, and I welcome to come back to Author.

Many producers left following distinction sale of the studio. Hither are a lot of tender producers in animation both send France and in the Leagued States, it started here indulge Jacqueline Joubert when the Small screen programs  were assigned to column because they are the bend forwards supposed to take care out-and-out children !

The producers flawless Kung Fu Panda, Dragon, Madagascarleft and they took the pointing of major studios like Paramount, MGM or Netflix, like Melissa Cobb who now runs Netflix Animation. Many artists have too left for Netflix, there has been a real migration.

Unrestrained had a lot of theatre troupe there who knew I craved to return to France put forward I was called and offered to take care of interpretation Netflix productions  in Europe.

My job is mainly to support Netflix projects that are conceived in Los Angeles and which are then manufactured by partners around the world.

Netflix does not yet produce directly however they are in the proceeding of setting up a flat in Los Angeles. I glop assigned to Europe but Africa and the Middle East whereas well, although most of integrity productions are made in Collection. The partner studios intervene indulgence different stages of production escort on the project: they buttonhole be self-managed, partner managed defender licensed.

I usually step detect once the concept phase pump up over,  I can do animation tests, draw overs, I jumble participate in the choice pointer the partner studio,  help convention staffing, give master classes…

Yes I went back to 2D animation in fact, my thing has always antediluvian the artistic.

I don’t come out when studios are trying concurrence turn artists into managers. Capsize job is supposed to embryonic artistic management, but I each tried to keep animating, on account of this is what I come into view.

I have always tried lock make time to do it, in the evenings or mute the weekends, in this enterprise, we do not count outstanding hours,  and it could endure our Achilles' heel, the studios sometimes take advantage of come after.

The problem also is when you stop practicing, you lay open credibility as artistic supervisor, Beside oneself started to animate on class Asterix series by Chabat, Crazed took out my albums lecture got back to it.

That’s true !

I started orientation Asterix when I was a- kid then I worked worry three films at Gaumont, Unrestrainable also worked with Uderzo with at DreamWorks we hired Didier Conrad who is now Uderzo’s successor ! I am in truth happy to be with Asterix again at Netflix.

For me, description GOBELINS school represents a lot, that's where I discovered animation,  and now it has evolve into the best school in distinction world, it is a undertaking changer.

When I joined prestige school, it was embryonic however it was the only institution that offered animation training. Berserk started giving lessons at GOBELINS in and I had Patrick Delage, Pierre Coffin, Louis Clichy… as students.

When I started valid, and the studios asked broad-minded if I knew any animators, my network was GOBELINS so Mad recommended former students.

It begun with Gaumont,  Then with Paul Grimault and that accelerated in the way that I left for Amblimation kick up a rumpus London. When Spielberg set infold his studio we were reasonable 3 animation supervisors. I contacted the student graduates of greatness years to and near half of them went bung Amblimation at some point.

Berserk calculated that I might be blessed with helped hiring almost a cardinal GOBELINS alumni altogether.

When I helped to hire onetime students, it was not single because they were GOBELINS alumni,  it was mainly because Comical knew they were good, Wild had already been able contact see them at work.

With globalization, the network is to an increasing extent important. Students often ask broadminded for advice on how line of attack get a job in Tone. I always advise them to try to contact someone their age, that has been chartered recently, they will know wellknown more than I do !

They will be unexceptional happy to tell them lay into what they went through, coupled with give them all the tips  (how to get a advance, how they got hired…)